Monday 24 February 2014

Monarch of the Glen

The beginning of the clip starts of with an establishing shot which shows men loading equipment onto trucks. This gives us the idea that the clip will be very masculine. However, as the clip progress we see the main character, who is female, attempt to drive a car. We hear a bang in the distance, which reinforces the stereotypes that teenagers are rebellious, reckless and irresponsible. Also, the editing becomes faster which shows the dangerous stereotype of youth. The scene cuts to the two men in an old-looking office in which the younger man pours the older man a drink. The re-enforces a gender stereotype of men drinking whiskey to calm their nerves.

The scene then cuts to the younger man telling off the young girl. The editing includes shot reverse shots which is fast paced to show the anger from the young mans point of view. The angle at which the camera is at a low angle for the young man to show that he’s inferior to her and a high angle to show the vulnerability of the young girl. The young man also gets more screen time, this shows his prominence and inferiority of a stereotypically butch male. The young girl then asserts her anger by raising her voice and running away. This is challenging the stereotype of a youth because it is showing her as vulnerable and isolated when she runs away.

The scene then cuts to older people working to build something outside. This would be challenging the stereotype of older people because in the scene they are shown as active and together not isolated and frail. The soundtrack also sets a happy mood for the scene compared to a sad and sympathetic soundtrack we usually hear. The scene cuts to a young girl looking at herself in a mirror with photos placed around the edges. This scene again shows her as vulnerable and isolated which is again challenging the stereotypes of youth who are usually in groups and dangerous. 

The props help to create meaning, for example, the mirror is showing that she is reflecting on her times because her image is reflected in the mirror. The soundtrack has a sad mood to it which makes us feel sympathy for the girl. The scene then cuts back to the workers building and the older lady runs to the young man for help, which perceives her as a ‘damsel in distress’. She then breaks the news about the young girl running away. A dramatic soundtrack adds suspense to the news which ends the scene on a cliffhanger.

Sunday 23 February 2014

THE CODE UPDATED


Unfortunately the video was uploaded in bad quality however the concept is still there. I made the music on GarageBand and added the foley later on. I changed the production animation to fit in more with our thriller title sequence. I also had to change the lighting so the change from day to night isn't so dramatic. Towards the end of the title sequence, we used a different camera, which created low quality footage. Although I hope that our main idea is put across.

Saturday 1 February 2014

Lone Survivor Spoiler Review


Based on a true story, director Peter Berg's Lone Survivor stars Mark Wahlberg, Taylor Kitsch, Ben Foster, and Emile Hirsch as four Navy SEALs whose sensitive mission into the Afghan mountains is unexpectedly compromised, leading to a fierce skirmish with a small army of Taliban soldiers. The year is 2005. In the wake of the 9/11 terror attacks, the War in Afghanistan is well under way when military intelligence learns that a senior Taliban member is hiding out in a remote village deep in the Hindu Kush mountains of the Kunar Province. Convinced that his capture or killing could turn the tide of the difficult war in favor of the United States, the Navy SEALs hatch Operation Red Wings. The goal is simple -- send a select team of soldiers to stake out the village from the surrounding mountains, and move on their target when the time is right. Under the leadership of Lieutenant Michael Murphy (Kitsch), Marcus Luttrell (Wahlberg), Matt Axelson (Foster), and Danny Dietz (Hirsch) reach their checkpoint, and quickly realize that another nearby hill will provide a better vantage spot. Shortly after arriving at that new location and getting a positive ID on their target, however, the soldiers are caught off guard by three wandering shepherds, including a young boy. Ultimately, a heated vote over what to do with the captured shepherds leads Lt. Murphy to decide that the best course of action is to abide by the rules of engagement, meaning that the soldiers will abort the mission, release the captives, and retreat to their extraction point. Shortly after the shepherds are set free, however, the four SEALs find themselves surrounded by dozens of Taliban soldiers, and engaged in a fierce gunfight that -- with the aid of some truly brave villagers -- only one of them will make it out of.